Cruel Intentions 3(2004)

A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.

Three activists cobble together a kidnapping plot after they encounter a businessman in his home.

A 14-year-old pursues romance with a man while vacationing with her family in Switzerland.

Two Los Angeles homicide detectives are dispatched to a northern town where the sun doesn't set to investigate the methodical murder of a local teen.

Copywriter Lorenz is gay and has a relationship with his boss Adrian. The two are happy together until Lorenz meets secretary Nina one day. Nina has just been abandoned by her husband Kai, who is now with a man. Lorenz also suddenly develops new, unknown feelings. He falls in love with Nina, a woman. Of course, he does everything he can to keep that from Adrian. But that does not hide Lorenz's emotional chaos.

A private detective engages in a sexually-charged relationship with a real estate broker.

When young computer genius Rudy inherits his father's business his avaricious uncle has him kidnapped and held hostage until the boy signs off all rights to the lucrative enterprise. Not wanting the uncle to control, a pair of corporate executives happen upon a youth who looks just like the missing heir. In hopes of keeping the business afloat, they substitute him at the board meetings.

XI "A" follows the story of Lina - a former dancer, who goes in for her dream job, namely to become a literature teacher.

A young woman, married to a wealthy man, but miserably lonely; trapped within a world ruled with an iron fist. Katerina is driven by a lust for life and for love. Her husband, though, is impotent; her father-in-law a tyrant. No wonder, then, that she longs to free herself from this yoke. When Sergei starts work on the family estate, she sees in him a chance for salvation. However, their subsequent affair marks the beginning of a descent into crime.

This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.

A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.

Budapest in the 1930s. Restaurant owner Laszlo hires pianist András to play in his restaurant. Both men fall in love with the beautiful waitress Ilona who inspires András to his only composition. His song of Gloomy Sunday is, at first, loved and then feared, for its melancholic melody sets off a chain of suicides. The fragile balance of the erotic ménage à trois is sent off kilter when the German Hans falls in love with Ilona as well.