Botero Born in Medellin(2008)

At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter. Yet ultimately, abstraction continues to be a viable creative path for contemporary artists of all generations, many of whom embrace it as the most inclusive and fundamentally resonant of artistic languages. Filmed at the artists' studios, the Dia Center for the Arts, and the Guggenheim Museum during their exhibition, "Abstraction in the Twentieth Century."

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

Avelino Chillarón was 12 or 13 years old when he realized that his surnames and those of his cousins ​​didn't match, so he decided to ask his uncle. This is how he learned that, although his father and aunt were siblings, they didn't have the same father, so he and his cousins ​​didn't share the same grandfather. In this way, Avelino realized that there was a part of his family he didn't know. The protagonist of this story feels partially mutilated from a part of his family history, a part that was taken away from him by a regime that established, over the years, a long period of widespread social amnesia about a series of corpses and missing persons throughout the spanish geography.

An exploration of the 'respectable' and 'immoral' stereotypes of women in Indian society told from the point of view of two striptease dancers in a Bombay cabaret.

Passers-by, those who knew him in his youth, René Barjavel, witness of his beginnings, his wife, his doctor, writers ... By questioning them Michel Polac tries to better understand the troubled personality of Louis-Ferdinand Céline, Notorious anti-Semite and genius writer.

Vincent Castiglia paints in human blood.

A look at the Black revolution in 1970s cinema, from genre films to social realism, from the making of new superstars to the craft of rising auteurs.

A portrait of the life and career of Robert Downey Sr. (1936-2021), the visionary and fearless US filmmaker — father of actor Robert Downey Jr. — who in the sixties and seventies laid the foundations for countercultural comedy.

Essie Coffey gives the children lessons on Aboriginal culture. She speaks of the importance of teaching these kids about their traditions. Aboriginal kids are forgetting about their Aboriginal heritage because they are being taught white culture instead.

The city of Ordos, in the middle of China, was build for a million people yet remains completely empty. Ordos is not so much a place but a symbol of babylonic hype. But nothing will change - as long as people believe.

Steve McQueen truly is an American Icon. One of America's most endearing and intriguing movie stars, he "is still the King of Cool" according to Esquire Magazine-50 years after the zenith of his career. The strangest thing about him, however, is barely known, despite countless biographies and articles. Steve McQueen was a believer in Jesus Christ. On the surface McQueen had everything he could want-fame, cars, homes, more money than he could spend in a lifetime. An avid fan of the actor (and owner of a replica of McQueen's car in the classic film Bullitt), Pastor Greg Laurie hits the road in his mint Mustang, traveling the country in search of the true, untold story of McQueen's redemption-filled final chapters.