La Bonita(2017)

Based on a discursive analysis of historical right-wing forces in Argentina and around the world, the objective is to situate the current Argentine government in the context of a resurgence of reactionary thinking, as well as to warn of the country's potential direction.

It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.

Director James Toback takes an unflinching, uncompromising look at the life of Mike Tyson--almost solely from the perspective of the man himself. TYSON alternates between the controversial boxer addressing the camera and shots of the champion's fights to create an arresting picture of the man.

The documentary is a portrait of former Canadian boxing champion Gaétan Hart, profiling both the ups and downs of his career in the 1970s and 1980s and his attempt to return to the sport in a 1990 fight. The film's title was inspired by "A Piece of Steak", Jack London's 1909 short story about a retired boxer struggling with poverty.

'One Night: Joshua vs. Ruiz' is a comprehensive look at the night Andy Ruiz pulled off the biggest boxing upset in decades.

Overcoming the seemingly insurmountable odds that life threw his way, Liston became heavyweight champion of the world when he knocked out Floyd Patterson in 1962. Eight years later, he died but friends questioned the cause of his death.

Lionel Rose, Australia's first Aboriginal world champion boxing hero - the man behind the myth

Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

In the 1970s, Orlando Jesus was more than just a boxer: he embodied the tough spirit of Lisbon with its neighbourhood gyms, intense nights and marginal figures that shaped a generation. An intimate and imperfect portrait, where the camera captures the gestures and voices that still resist, preserving a time in the process of disappearance, the presence of Orlando Jesus and the Lisbon that shaped him.

Stanley Kubrick’s debut documentary, following Irish-American middleweight boxer Walter Cartier on April 17, 1950—the day of his bout with Bobby James. The film traces Cartier’s quiet morning rituals, training, and anxious hours before the match, culminating in his swift victory that night in Newark. Opening with a brief history of boxing, Kubrick’s tightly crafted short captures the discipline, isolation, and tension behind a fighter’s daily routine.

Documentary film about Tony Halme, masculinity and populism. The film follows how Tony Halme created a mythical, highly masculine freestyle wrestling character, The Viking, who gained fame both in the ring and in the public eye and eventually became captivated by it. With his brash speeches, Halme fired the starting shot for the rise of the Finns Party. The voice of a forgotten section of the population, a protest against the ruling elite, were the building blocks of Halme's popularity. Halme's great popularity has served as a good example of a populist figure, admired within the deep ranks of the nation, who comes from outside the political elite and changes the direction of politics. Also, despite - or perhaps because of - his openly racist statements, he was part of changing the political climate in Finland to a more acrimonious one.