Biosludged(2018)

Documentary showing one day of work of over 90 actors and filmmakers from French cinema on the same day. On 27 March 2002, 27 teams filmed actors, directors, producers and technicians at work, from Hawaii to Paris and from New York to Lisbon.

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

Fletch is a fish out of water in small-town Louisiana, where he's checking out a tumbledown mansion he's inherited. When a woman he flirts with turns up dead, he becomes a suspect and must find the killer and clear his name.

When a devastating famine descended on Soviet Russia in 1921, it was the worst natural disaster in Europe since the Black Plague in the Middle Ages. Examine Herbert Hoover’s American Relief Administration—an operation hailed for its efficiency, grit and generosity. By the summer of 1922, American kitchens were feeding nearly 11 million Soviet citizens a day.

Directed by Nicholas Gelakis, ‘Florida Boys’ emerges from a close creative collaboration between the director and Miami-based photographer Josh Aronson, who worked together to blend cinematic storytelling with the raw energy and spirit of the photo series that has earned Aronson’s work critical acclaim.

The Purdue men's basketball team enjoyed a record-breaking season in 2023-24, reaching the National Championship game and winning a school-record 34 games. This is its story of its journey to Phoenix.

Violent squalls, hail, waterspouts, lightning... storms put animals and plants to the test. At a time when climate change is multiplying extreme weather events, this documentary plunges into the heart of a storm, from the heavy, dry atmosphere that precedes it to the deluge that follows.

Atlantis is filmmaker Luc Besson's celebration of the beauty and wonder of the world beneath the sea, expanding upon themes touched on in his film The Big Blue. Combining stunning underwater cinematography and a hypnotic score by Eric Serra, Besson's singular vision defies dialogue or narrative structure to explore ocean life as you've never seen it before. Following the colossal success of The Big Blue, Luc Besson crisscrossed the world's seas and oceans to film the beauty and diversity of marine life: from the giant octopuses of Vancouver to the manta rays of the Pacific (New Caledonia), and the grey sharks of Tahiti. A film with no actors or sets other than the underwater world. A breathtaking view of marine species: sharks, dolphins, manatees, octopuses. An exploration of the seabed in the Bahamas, the Galapagos, Vancouver, and Tahiti.

A group of young architects, confined to a forest in Barcelona during the COVID crisis, explore the problems generated by the ambition of wanting to be completely self-sufficient.

A patient camera glides over the everyday objects: still lives on the wall, flowers in the vase, a swaying drop light. The sun enters the cosy home where Noëlla sits smoking at her laptop, playing Solitaire. The situation is hopeless. She’s going to lose against the computer once again. All the while her son-in-law, Pierre, is organising everything she needs, pragmatic and friendly: breakfast, the (last) doctor’s visit – and then the transfer.

While undergoing treatment himself, comedian Rhod Gilbert goes on a frank, revealing, and frequently funny journey into the world of male infertility. Rhod also meets a man whose wife had eight years of treatment before they discovered that he was the one with the fertility issues.