Mr. Dolan of New York(1917)

In nineteenth century Mesopotamia a series of romantic enganglements ensue.

After graduating from college, rich girl Margery Carr decides to do some good in the world. Much to the chagrin of her father, she decides to open an office to help derelicts. For her secretary, she picks an ex-gangster named Bubbs out of the throng.

Lawyer Hanover Priestley plots with his friend Henry Winkley to marry off young heiress Leila Calthorpe to Winkley's nephew, John Warren. When John refuses, preferring to select his own wife, they lure him east by a false report of Winkley's death. Indignant at his rebuff, Leila disguises herself as Perkins, a maid, and romances him, leading him to believe that Aunt Agatha is the heiress. Complications develop, and after saving her from a fire John discovers her identity and agrees to marry her.

Eve Orrin is at the mercy of her possessive mother, who has a case of "nerves" every time her daughter tries to show a mind of her own. Mrs. Orrin and her friend, Mrs. Marchant, have determined that Eve will marry Mrs. Marchant's milquetoast son, Henry, and Eve is willing to go along with it just to placate her mother. But Eve herself finally has an attack of nerves, and she falls in love with Doctor Harmon, the physician called in to care for her.

Neglected by shallow husband Dick, young bride Paula Wayne seeks male companionship outside the marital nest. She soon finds it in the form of mature lover Frank Gordon. Lost film.

A series of four 2-reelers based on the stories of George Bronson Howard, directed by Duke Worne, and starring Roy Stewart in the title role; each episode in the series was a story complete in itself. They are all presumably lost.

A young girl is presented, on her birthday, with a beautiful pearl necklace, the oldest heirloom in the family. Her maid carefully locks it up in the bureau drawer; but the next morning the necklace is missing. Naturally, the maid is accused, but she denies all knowledge of the whereabouts of the necklace, and puts the blame on the washerwoman, who had called at the time she was locking the jewels up; in consequence, the washerwoman is arrested, and her little son, thrown on his own resources, finds employment with the milkman. Two or three days later, while delivering milk at a fashionable residence, he sees a young lady walking in her sleep, out across the lawn, and follows her to a hollow tree, where he sees her dig up the jewels, which she has hidden on a previous somnambulistic promenade. Of course, this soon leads to the straightening out of all the difficulty. This short is presumably lost.

Mike Kildare, a swaggering youth from New York City's Bowery at the turn of the century, comes to the defense of Mamie Rose, a mender in a secondhand clothing shop, when his own gang of Irish-Americans insult her.

Against the backdrop of New York City of the early 1850s, a young woman -- naively seeking to win the love she reads about in the romance novels she devours -- finds one prospect in an earnest denizen of the Bowery, and another in an elegant young aristocrat. Focusing on the bygone era's fashions, the novelty of the bicycle-built-for-two, and an inventor's quest for the horseless carriage, the film gently stirs the audiences' nostalgia for simpler times.

A model in an expensive clothing shop quarrels with another model, and an expensive gown is ruined. In order to pay for it, she asks her father, an artist, for the money. In order to get the money, the father gets mixed up with art thieves

The film tells the story of a man and woman who don't know each other. After being matched by a matchmaker, after going through a series of red tape, they were sent to the bridal chamber and began a difficult life as a couple. Despite the primitive shooting methods and lack of training of the actors, the film has a very important place in the history of Chinese film.