Amour de vivre(2010)

Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

Algeria, summer 1962, eight hundred thousand French people left their native land in a tragic exodus. But 200,000 of them decided to attempt the adventure of independent Algeria. Over the following decades, political developments would push many of these pieds-noirs into exile towards France. But some never left. Germaine, Adrien, Cécile, Guy, Jean-Paul, Marie-France, Denis and Félix, Algerians of European origin, are among them. Some have Algerian nationality, others do not. Some speak Arabic, others do not. They are the last witnesses to the little-known history of these Europeans who remained out of loyalty to an ideal, a taste for adventure and an unconditional love for a land where they were born, despite all the ups and downs that the free Algeria in full construction had to go through.

A particular reading of the hard years of famine, repression and censorship after the massacre of the Spanish Civil War (1936-39), through popular culture: songs, newspapers and magazines, movies and newsreels.

The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.

Halfway between a sports documentary and an conceptual art installation, "Zidane" consists in a full-length soccer game (Real Madrid vs. Villareal, April 23, 2005) entirely filmed from the perspective of soccer superstar Zinedine Zidane.

Caudillo is a documentary film by Spanish film director Basilio Martín Patino. It follows the military and political career of Francisco Franco and the most important moments of the Spanish Civil War. It uses footage from both sides of the war, music from the period and voice-over testimonies of various people.

A walk through the life and career of the legendary French photojournalist Christine Spengler, known as Moonface, one of the few female war reporters in the seventies, also a writer and surrealist painter, who worked in Chad, Northern Ireland, Vietnam, Cambodia, Afghanistan, Lebanon, Iran, Iraq and other places where unfortunately war and death prevailed for years.

The adventurous life of Natacha Rambova (1897-1966), an American artist, born Winifred Kimball Shaughnessy, who reincarnated herself countless times: false Russian dancer, silent film actress, scenographer and costume designer, writer, spiritist, Egyptologist, indefatigable traveler, mysterious and curious; an amazing 20th century woman who created the myth of Rudolph Valentino.

By meeting his former comrades in combat, the film follows the journey of Yves Mathieu, anti-colonialist in Black Africa then lawyer for the FLN. When Algeria became independent, he drafted the Decrees of March on vacant property and self-management, promulgated in 1963 by Ahmed Ben Bella. Yves Mathieu's life is punctuated by his commitments in an Algeria that was then called "The Lighthouse of the Third World". The director, who is his daughter, returns to the conditions of his death in 1966.