Les démons de Ludivine(2018)

Bandits, Bandits, Brazil, Munchausen, Twelve Monkeys, not to mention the crazy Monty Python saga... With their visual extravagance and ever-fresh originality, amplifying his vision of a humanity that is as disturbing as it is comical, his films have made history. In the same baroque, zany, but also tragic vein, Terry Gilliam's work and life merge into an adventure that borders on the epic.

The antithesis of the virile heroes of his era, James Dean shook up the representation of adolescence and masculinity in three films shot in 1955, the same year he died in a car accident at the age of 24—exactly seventy years ago: Rebel Without a Cause, East of Eden, and Giant. This meteoric rise made him an instant icon, frozen in eternal, rebellious youth, which still resonates strongly today.

Tom Volf invites you to delve into the fascinating world of Véronique Sanson, a living legend of French chanson. After several years of research and immersion, he is unveiling an intimate and sincere portrait of the artist in a film event. The fruit of his encounter with the singer, this project highlights the raw emotion and beauty of her career.

In the industrial and maritime city of Le Havre, Soren and Karving, two 14-year-old friends, are passionate about fishing. In conflict with authority and failing at school, fishing has become their space of freedom and a unique way to project themselves into the future: more than anything, Soren wants to become a fisherman and Karving a fisherman-reporter. As the pressure of their exams mounts, and without their diploma they can kiss their dream life goodbye, they will have to compromise between their passion and reality.

Can you be accused of being close to ‘ndrangheta families if you have pursued a career in the name of legality? The case of Ambrogio Crespi is much more than a judicial case; it is the answer to these unthinkable questions. It is the paradox that becomes reality. Accused of external complicity in mafia association, he is arrested and tried for having provided votes from mafia circles to a councilor Lombardo… never seen, never known. Although it seemed clear even to the insiders that Ambrogio Crespi was not involved in the charges, the first degree ends with an incredible sentence of 12 years, double the request of the same PM. A sentence that, like a guillotine, weighs on the life of Ambrogio and his entire family.

In the silence and darkness of a trembling mountain, we discover the underground world through the eyes of a boy, an old miner and a woman. Where sweat mixes with the blood of history, a story emerges about colonial heritage and the endless cycle of exploitation.

For the first time in six years, Barbara Morgenstern, pioneer of German-style electronic intimate pop, works on a new album. Her laptop sits on a shoebox, in the privacy of her home she finds first lines and harmonies: “I like to be alone,” one song begins. One by one, musicians join her. Intuitive ideas take shape. A window has opened. Arrangements, rehearsals, recordings follow. Step by step, the music enters public space, images are produced, videos, narratives. Questions arise: New beginning or back to the roots? New Biedermeier or tough political comment? The bigger the band, the riskier the booking. The more crisis-ridden the environment, the more comforting the music-making.

When the lights dim and the stage is revealed, Meschke channels life through the strings of his puppets, triggering the spiritual connection between the creator and his alter-egos: the charismatic Don Quixote, the loving Penelope, the inquisitive Baptiste, or the mysterious Antigone. THE MAN WHO MADE ANGELS FLY is a poetic story about a master of his craft that has inspired audiences to reflect upon common issues of suffering and the mortal coil. Visionary and un-biographic, imaginary tribute to the puppeteer.