Never Stop - A Music That Resists(2017)

It is a short video produced by Matthias Fritsch in 2000 at the Fuckparade in Berlin.

This lost classic, shot on 16mm in a wintry Berlin in 1993, explores the origins of the German trance scene. Featuring interviews with fresh-faced selectors including Laurent Garnier and MFS Records founder Mark Reeder, the documentary also feature footage from the city's iconic Love Parades in 1991 and 1993.

A compilation of interviews, rehearsals and backstage footage of Michael Jackson as he prepared for his series of sold-out shows in London.

HIGH TECH SOUL is the first documentary to tackle the deep roots of techno music alongside the cultural history of Detroit, its birthplace. From the race riots of 1967 to the underground party scene of the late 1980s, Detroit's economic downturn didn't stop the invention of a new kind of music that brought international attention to its producers and their hometown.

‘Tangerine Dream is science fiction!’ declares band leader Edgar Froese who died in January, 2015 aged 70. For almost fifty years he and his band ‘Tangerine Dream’ explored sound and its effect on our emotions. This film about one of Germany’s first electronic bands kicks off with the young Berlin musicians who were as inspired by the space age of the 1960s, with its rocket launchings and visions of the future, as they were by their own heartbeat, on which Froese also based compositions. Aided by the Moog and other synthesisers Froese (and various band members) revolutionised popular music. His explorations took him into the worlds of classical, new and film music. He preferred to visualise moods rather than create clearly structured songs. A blend of amateur footage, interviews with band members, relatives, friends and colleagues such as Jean-Michel Jarre that creates a comprehensive portrait of an artistic pioneer.

A documentary of Chicago Footwork and Juke scene. "In spring 2012 We went to Chicago to document the Footwork Scene. When we got home and started reviewing the footage we realised we had just filmed our first full length documentary. A scene ingrained in the lineage of the City itself, filled with effervescent dancers, storytellers and beatmakers. It was singlehandedly the most unique and in-depth tour we had ever experienced. Featuring key players on the scene, such as DJ Rashad, DJ Spinn, Manny, Traxman & Arpebu. The team navigated through the Windy City living with the GHETTOTEKNITIANZ of Teklife. They slept on floors, sofas and in dodgy motels with their charming hosts. All the while managing to obtain un-seen footage from the finest Producers, Footworkers and the good people of Chi-Town. It’s taken our team a long and painstaking while to put this together. We hope to do the people who shared their homes, talent and ultimately their lives with us, proud."

The word kewaaj (কেওয়াজ) is colloquially used to explain chaos, noisiness or annoyance. "Kewaaj" is an audiovisual attempt to give you a glimpse into how the people of Dhaka function in one of the most unliveable cities, according to the Global Liveability Index.

Boom Festival - We Are One (Official Release) 2006

This documentary offers a behind-the-scenes look at Björk and her touring entourage for the 2001 Vespertine tour. It includes interviews with harpist Zeena Parkins, the Inuit choir from Greenland, electronic duo Matmos, and an ongoing conversation with Björk herself about her recordings and her tours. The documentary is interspersed with live footage of songs from the tour shot by Ragnheidur Gestsdóttir, which themselves correspond to the performances chosen for the Vespertine Live album.

On Aug. 28, 2016, Tim Bergling, better known as Avicii, graced the stage of the Ushuaïa nightclub in Ibiza for what would be his final performance.

The Hypergaussian Wars is an AI-generated feature-length audiovisual work exploring algorithmic warfare, obsolete media and the transformation of images through repetition, saturation and collapse. Built from thousands of generated images, synthetic landscapes and references to 14th–16th century painting, the film stages a continuous conflict between historical visual culture and contemporary computational systems. Fragments of obsolete video games, ruined architectures, military simulations and post-human figures circulate through increasingly unstable environments. Rather than telling a linear story, the film operates as an image system in which visual excess progressively erodes meaning. The Hypergaussian Wars reflects on memory, obsolescence, artificial intelligence and the persistence of images after their original function has disappeared.

In a mockumentary style reality show, we follow X-Coast aka Bojan Cizmic going over the world and marketing his X-Coast Deejay Academy. On his travels he meets various known alumni from the techno scene. But when trouble starts, return to homeland is the best solution.