冰血长津湖(2011)

October 1st, 1957. Dusk descends on Tiananmen Square, Peking. Fireworks crackle light across the night sky, above a city alive with National Day festivities and celebrations. Two intrepid New Zealand film-makers - Rudall and Ramai Te Miha Hayward - are there, documenting the life and times of communist China. The distinction of being the first English speaking foreigners to film unfettered in communist China was significant. The invitation to visit China was facilitated through the New Zealand China Friendship Society. They filmed in Canton, Shanghai, Peking (Beijing) and Wuhan. It was a small window of opportunity for Westerners to gaze on a country that was largely a mystery to the outside world since 1949. The unfortunate irony was that two of the documentaries; “Wonders of China”, and “Inside Red China”, were considered to be communist propaganda, and were not distributed outside of New Zealand.

A harrowing exploration of the rapid rise of American religious fanaticism after 9/11. This film explores an emerging ultra Right Wing mass movement seeking dominion over all aspects of contemporary American society. The film weaves archival video, contemporary Christian Nationalist movement propaganda (recruiting videos, apocalyptic/military videogame imagery, etc.) and original investigative material) to create an intense examination of the totalistic mindset and its will to power.

Montage of documentary footage from the liberation and building of the republic as a tribute to JV Stalin on his seventieth birthday.

Xu Xin’s film “Dao Lu” (China 2012) offers an exclusive “in camera” encounter with Zheng Yan, an 83 year-old veteran of the Chinese Red Army, who calmly relates how he has navigated his country’s turbulent history over three-quarters of a century.Born to a wealthy family in a foreign concession, Yan joined the Chinese Communist Party (CCP) in 1941 because he sincerely believed in the socialist project, and in its immediate capacity to free China from the Japanese yoke and eradicate deep-rooted corruption.

The documentary Their Kingdom, co-directed in 1928 by Nutsa Gogoberidze and Mikhail Kalatozishvili (Kalatozov) for Soviet Georgia’s Cinema Trust, was considered lost until 2008, when there appeared a possibility that this important film – Georgia’s first documentary feature and Kalatozov’s directorial debut – had not disappeared irretrievably.

Gdańsk, Poland, September 1980. Lech Wałęsa and other Lenin shipyard workers found Solidarność (Solidarity), the first independent trade union behind the Iron Curtain. The long and hard battle to bring down communist dictatorship has begun.

Propaganda document of the communist regime about the so-called Číhošť miracle.

Thirty years after the Chernobyl disaster, which occurred on the night of April 26, 1986, its causes and consequences are examined. In addition, a report on efforts to strengthen the structures covering the core of the nuclear plant in order to better protect the population and the environment is offered.

As the Communist Party of China celebrates its 100th anniversary, this documentary looks back at the party’s history, from the 1920’s, to the Civil War, the Great Leap Forward, the Great Famine, the Cultural Revolution and the reforms by Mao Zedong and Deng Xiaoping. Did the Great Famine cost more than 15 million lives? How does the Cultural Revolution continue to shape Chinese politics today? What was capitalism like after Mao’s death? Through rare and never-before-seen historical footage, expert interviews and eyewitness accounts of the Great Famine, Tiananmen incident, and the Cultural Revolution, get to know how one party has so profoundly shaped China.

No one knows why for certain, but from 1968 to 1973 communist Albania enjoyed a brief liberalisation in the arts. Banned books and Beatles records changed hands. Albania’s Nobel-nominated novelist Ismail Kadare wrote two of his most famed masterpieces, Kështjella (The Castle) (1970) and Kronikë në gur (Chronicle in Stone) (1971) during this period. The rock'n'roll and jazz arrangements featured in this concert documentary were the pretext that brought about the end to the artistic thaw. Several performers seen in the festival were sent to prison or internal exile. The portly, smiling music conductor, Gasper Çurçia, was later accused of forging bus tickets and executed.