Penis Poetry(2017)

This documentary follows Lali in her return after four years away from the stage, showcasing the personal journey that led her to become the artist we know today.

Set against the backdrop of the repeal of the "Don't Ask, Don't Tell" policy, the film chronicles the journey of Lt. Col. Linda Campbell, an Air Force veteran who grappled with hiding her true self during her service tenure. While the national policy shift towards LGBTQ+ rights marks a progressive era, Linda's personal story serves as a powerful testament to the individual battles fought in the shadows of such policies. Subjected to suspicion, prejudice, and threats from her comrades due to her perceived homosexuality, Linda's resilience remain undeterred. Her unwavering love and commitment to her partner, Nancy Lynchild, culminate in a poignant milestone: their eternal rest together in Willamette National Cemetery. Intertwined with this narrative is the account of Linda's brother, Bob Campbell, who delves into their family's conservative roots, Linda's tumultuous coming out, and the eventual familial reconciliation that showcases the transformative power of love and understanding.

Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.

Soon after New York state passed a 2015 law that health insurance should cover transgender-related care and services, director Tania Cypriano and producer Michelle Hayashi began bringing their cameras behind the scenes at New York’s Mount Sinai Hospital, where this remarkable documentary captures the emotional and physical journey of surgical transitioning. Lending equal narrative weight to the experiences of the center’s groundbreaking surgeon Dr. Jess Ting and those of his diverse group of patients, BORN TO BE perfectly balances compassionate personal storytelling and fly-on-the-wall vérité. It’s a film of astonishing access—most importantly into the lives, joys, and fears of the people at its center.

This documentary is about the artistic trajectory of Edvaldo Souza, aka Edy star, the flamboyant gay singer, actor, dancer, theatrical producer, performer, visual artist and the last of the Kavernistas alive. The script mixes the memories of artists, friends and Edy himself, meeting in a studio with the singer and composer Zeca Baleiro.

Inspired by the It Gets Better Project this documentary film follows the stories of three real-life subjects who are at unique impasses related to their identities as gay or transgender people.

A chronological look at films by, for, or about gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain". Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing timeline and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, indie films, sex on screen, outlaw culture and bad guys, lesbian lovers, films about AIDS and dying, emergence of romantic comedy, transgender films, films about diversity and various cultures, documentaries and then mainstream Hollywood drama. What might come next?

Through archival footage of his parents' wedding, the filmmaker reflects on love and marriage in contemporary Serbia. Observing traditional Balkan rituals, he questions his own place as an LGBT individual in a society resistant to equality. The film explores the tension between tradition and modern love, and the hope for a future where everyone can experience love freely. Through his personal journey, he confronts family expectations and dreams of acceptance.

The film follows the story of Jamie, a struggling butch lesbian actress who gets cast as a man in a film. The main plot is a romantic comedy between Jamie's male alter-ego, "Male Jamie," and Jill, a heterosexual woman on set. The film's subplots include Jamie's bisexual roommate Lola and her cat actor Howard, Lola's abrasive butch German girlfriend Andi, and Jamie's gay Asian friend David.

Describing herself as a 'street queen,' Johnson was a legendary fixture in New York City’s gay ghetto and a tireless voice for LGBT pride since the days of Stonewall, who along with fellow trans icon Sylvia Rivera, founded Street Transvestites Action Revolutionaries (S.T.A.R.), a trans activist group based in the heart of NYC’s Greenwich Village. Her death in 1992 was declared a suicide by the NYPD, but friends never accepted that version of events. Structured as a whodunit, with activist Victoria Cruz cast as detective and audience surrogate, The Death and Life of Marsha P. Johnson celebrates the lasting political legacy of Johnson, while seeking to finally solve the mystery of her unexplained death.

1977: Grêmio lives a dark period in its history, after losing the last eight Campeonato Gaúcho to Internacional. Then there was a crowd that would shake up the structures and prejudices of the universes of the gaucho football and forever mark its name in history: the Coligay, the first organized football group of supporters formed exclusively by homosexuals.

“I Beg You To Like Me”, serves as a testimony of individuals who felt oppressed about their body image for not meeting the standard beauty criteria, and demonstrates how a reckless language based on others’ physical appearance could turn violent. It aims to achieve much more than simply stating the obvious, which is that we are not obligated to submit to the ideal beauty standards dictated by the media, consumerism and the beauty industry. The intimate stories about one’s own body image as told by women, men, disabled people and LGBT individuals make it apparent that any one of us could end up being a victim and a perpetrator at the same time. What if, this iconic body image is nothing but an unobtainable fallacy? “Is it not yet the time to openly discuss the conventional perception of beauty, and step up onto the catwalk in our actual likeness?