Fund(2019)

Based on a discursive analysis of historical right-wing forces in Argentina and around the world, the objective is to situate the current Argentine government in the context of a resurgence of reactionary thinking, as well as to warn of the country's potential direction.

Using home videos from fans from across the globe and never-before-seen drone footage obtained during the victory parade in Buenos Aires, on streets dyed white and sky blue. The film invites viewers to immerse themselves in the world's most football obsessed nation, Argentina, to relive the emotional rollercoaster that was the country’s 2022 World Cup victory in Qatar and the record breaking celebrations that followed.

Bernardo has turned 90 and is working to realize a dream: to make a film about art. He spends countless hours writing the script. He understands it's an arduous and complex task: What is art? When is there art? What is the purpose of art? Antonio, his friend, decides to collaborate, lending his knowledge and experience to the project. Marcelo meets Bernardo through Lucy, his partner of over 60 years, and finds him deep in his work, immersed in the uncertainties, frustrations, and joys inherent in any creative process. Watching him work, something of Bernardo's dream awakens in Marcelo a desire, another dream. He offers his help, while also asking to be able to capture Bernardo's daily work with his own eyes, thus creating his film. A dream that gradually shifts from the work Antonio sculpts on Bernardo's camera to Marcelo's gaze.

Poetic images emerge from everyday life, interweaving with narratives that recall traces of events from the last civic-ecclesiastical-military dictatorship in the city of La Plata.

"Unearths, the books we do not inherit" delves into the family memory of Maria Julia Blanco, its director. The unearthing of his father's student library - recovered in 2018 - is the starting point. Julia guides us through the province of Santa Fe following her family's story. Historian and bibliophile by choice, Julia takes books, which do not know what has happened on the surface, as a starting point to excavate family memory. Little by little it becomes evident that, in the remains of the books, both family history and Argentine history can be reread.

A murderer terrorizes the city of Buenos Aires by attacking on the streets on rainy days and always leaving a card with the name "S. López". A local boarding house full of eccentrics appears to house a possible suspect.

When three friends go on a camping trip in a remote part of Argentina, sexual tensions quickly bubble to the surface. Once in virtual seclusion by the beach, Juli, also camping at the site, quickly recognises that that the boys seem to have a closer relationship than what she would consider 'normal'. The line between friendship and love fade further for two of the boys in particular as their desire becomes too much to bear. When what started as a simple getaway quickly becomes tinged with sex, romance, and conflict, everyone is forced to confront who they really are for the very first time.

Buenos Aires, Argentina, 1983. In the last and turbulent days of the military dictatorship, Alicia, a high school history teacher, begins to ask uncomfortable questions about the dark origins of Gaby, her adopted daughter.

El Tenso does not know how to face his ill-tempered wife, Tana, to tell her that he wants to separate. Carlos, a friend of Tenso, suggests him to invert the situation and cause Tana to leave him by hiring Cuervo Flores, an irresistible seducer, to try and charm his wife until she falls in love with him.

Lucas and Mateo are brothers and have a distant and somewhat conflictive relationship. What seems to be just another morning becomes the beginning of a new stage in their lives. When they wake up, they notice that their mother is not at home and they wait for her to return, but that moment will never come.

Two con artists try to swindle a stamp collector by selling him a sheet of counterfeit rare stamps, the "nine queens".