El Palmar de Troya(2020)

Describes how to resist the deception and pressure used to recruit members into cults and keep them there. It also provides advice on how to resist these tactics. The video is designed for young people, parents, educators, counselors, clergy, law enforcement officials, and others.

Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.

An international investigation into the Rajneesh movement. One of the world's biggest and most successful cults, it had communes in more than 30 countries in the 70s and 80s and was portrayed in the Netflix series Wild Wild Country' But until now, a central truth about the organization has remained hidden.

A short documentary featuring a brief overview of Bill Gothard's ministries, and some of the consequences for his followers.

Josh-awan Bulman details some highlights of the Zhuang Alliance Group's Style Guide.

Revealing the flaws of Japanese society, the 1995 sarin gas attack in the Tokyo subway prompted Murakami to return to his homeland, whose conformism he rejected, to examine it closely. This led to the creation of two works: Underground and 1Q84.

A visual documentary of Einstürzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and remarkably choreographed appearance in the ruins of an old ironworks which was scheduled for demolition; footage of same was incorporated into the movie and a brief appearance on stage.

In one of the most tragic face-offs in the history of law enforcement, the deadly debacle at Waco pitted the Branch Davidian sect against the FBI in an all-out war. This documentary makes the most of footage and recordings to examine how the events that led to the tragedy of April 19, 1993, unfolded, and how the FBI's unrelenting approach made what was already a bad situation much worse.

Punk rock, B-movies, and Jehovah’s Witnesses unite in this heartfelt documentary. As members of Jehovah’s Witness start to explore culture outside of their religion, they have to wrestle with the possibility of being excommunicated from friends and family. Featuring in-depth interviews and extensive home video footage, Witness Underground tells the story of punk rocker Witnesses pushing against the highly controlling Jehovah’s Witnesses religion as they build their own community through music and art. This prolific community of Witness musicians create their own record label, Nuclear Gopher, and become early adopters of promoting their music through the internet, including what may have been the first album to ever be livestreamed. This community’s history is well documented through archival footage of their home movies and self-produced music videos, all with a very charming energy.

On January 7th 2005, 29 year old Rick Rodriguez murdered his former nanny and then killed himself on a lonely desert highway. Hours earlier he had videoed his suicide note and this final message provided a remarkable insight into a deeply damaged life. It also lifted the lid on one of the most notorious religious cults to emerge out of the 1960s counter culture: The Children of God sect.

Despite what the documentary suggests, the group featured in Jesus Camp does not represent mainstream evangelical Christianity. Becky Fischer and her “Kids on Fire” camp come out of a narrow Charismatic stream that pushes children into extreme emotional experiences, overemphasizes tongues, demons, and political “dominion,” and puts a crushing spiritual burden on young kids to “take back America for God.” This is not healthy, biblical Christianity; it is a troubling distortion. Bible‑believing Christians should not treat this film as the definition of our faith or of Christian camps in general. Most evangelical churches and camps focus on clear teaching of Scripture, the gospel of grace in Christ, age‑appropriate discipleship, and normal spiritual growth—not the kind of excesses and manipulation shown in this documentary.

An unprejudiced portrait of Spanish folklore and a crude analysis in black and white of its intimate relationship with atavism and superstition, with violence and pain, with blood and death; a story of terror, a journey to the most sinister and ancestral Spain; the one that lived far from the most visited tourist destinations, from the economic miracle and unstoppable progress, relentlessly promoted by the Franco regime during the sixties.