DDR - die entsorgte Republik(2019)

Documents the remodeling of the Ostbahnhof in Berlin Friedrichshain into the central station of the GDR.

The film accompanies Jenny Gröllmann, a German actress, during the last two years of her life.

Life in the GDR was not only documented on behalf of the state, but also by photographic artists and journalists. The documentary goes on a journey through time with some of them and shows little-known aspects of the GDR from its foundation to the fall of the Wall. Photographers in the GDR had a surprising amount of freedom; there was no explicit censorship of images. This allowed them to make visible what the state wanted to hide. This documentary presents two photographers who observed life in the GDR and whose work has been rediscovered in recent years.

The army of the GDR, called NVA had not survived the reunification of Germany, it was completely absorbed by the Bundeswehr and scrapped subsequently. But what apparently went on so smoothly as a peaceful unification of hostile brothers quietly left deep scars in the East German landscape.

A punk documentary about the life and death of the GDR punk Dieter "Otze" Ehrlich and his band Schleimkeim aus dem Schweinestall. With the fall of the Wall, Otze loses not only his enemy images, but also his life at the price of freedom.

An account of the life and work of controversial German orchestra conductor Herbert von Karajan (1908-89), celebrated as one of the greatest musicians of the twentieth century.

Driven by extensive archive material and interviews with those who know her, this is the astonishing story of how a triple outsider – a woman, a scientist, and an East German – became the de facto leader of the “Free World”, told for the first time for an international audience.

From an official perspective, marginal youth culture did not exist in East Germany. The topic of subcultures was taboo in the GDR, and groups such as goths, skinheads, anti-skins, punks and neo-Nazis were dismissed as social deviations promoted by western countries. Director Roland Steiner had access to such young East Germans in the late 1980s. Over the course of four years, he brought them before the camera in an attempt to understand what drew them to these groups.

Short biographical documentary about the life of Alfred Florstedt and his life as a progressive communist from the Weimar Republic to his death in 1985.

In the documentary Last To Know political prisoners, sent to jail for openly opposing the East German regime that existed until the German reunification in 1990, talk about their times of trial and their lives today. Neither they, nor their families have come to terms with what happened.

In a world divided by the Iron Curtain, East Germany sought to carve its niche in the technological race. Enter "Robotron" - a name that seamlessly blended "robot" and "electronics." This wasn't just a brand; it was an ambitious answer to the West's technological advancements, a testament to the GDR’s drive to match, if not surpass, Western innovation. Drawing inspiration from the corporate giants of the West, the GDR‘s government merged various businesses to form this tech behemoth. With 16 major hubs in Central Germany alone, it was clear: "Robotron" was to be the DDR's technological crown jewel. But what was the Socialist Unity Party (SED), the GDR's ruling party, envisioning with this grand venture? How did "Robotron" navigate the challenges of operating within a socialist planned economy, while striving for global excellence? And as it grew to dominate East Germany's tech landscape, why did it always seem to be one step behind the leading global tech powers?