The Misleading Widow(1919)

Santa Claus has been murdered. It is up to the crack-team of detectives Sylvester Slydewisel and Eliza Eggnog to solve the case that leads them to mysterious suspects, late-stage capitalism, and their own inner demons.

A typesetter is an amateur stage director, and his niece and an employee are stage actors. When they have an opportunity to go professional, differences arise between the two men. Things get worse when the employee starts seeing the girl even when there is no need for rehearsals - and the uncle opposes their relationship.

A silent black-and-white comedy inspired by the fizzing rollercoaster of Largo al factotum - the familiar aria from Rossini's The Barber of Seville - featuring the young apprentice hero and a recalcitrant, increasingly monstrous hairball.

Kelly's employer, Waters, is such a keen golfer that he asks Kelly to help him improve his game at an exclusive country club.

A wife, tired of her husband's non-stop carousing, sues him for divorce. The judge, however, comes up with a novel solution--he makes the husband take his wife's place in the household--including dressing like her--for 30 days to see what it's like to be his wife.

Department-store models Flo and Marian set their sights on wealthy young soft-drink magnate J. A. Smith. Through a misunderstanding, they pick on the wrong J. A. Smith, a fortune hunter himself who assumes that Marian is a wealthy widow. Meanwhile, Marian falls for the real Smith, never dreaming that he's the millionaire.

Behind enemy lines, Captain Bob White disguises himself as a woman in order to fool members of the German High Command, including the Kaiser himself.

This is the story of three characters (brothers Tomek and Jacek and their neighbor Magda), each of them is in their own way lonely and alienated. The title character makes herself secluded. Tomek's alienation results from his neurological disease, and Jacek contacts the world mainly via the Internet. This is also a film about love. Love of one brother to the other and of one alienated human being to the other. All together it creates a very universal picture with a Polish entourage.

Setting the standard for his later light-hearted biopics The Private Life of Henry VIII and Rembrandt, producer-director Alexander Korda steadfastly refuses to take any of The Private Life of Helen of Troy seriously. Maria Corda, wife of the director, plays the title character as a fetchingly underdressed coquette, oblivious to all the political turmoil she's causing when she allows the handsome Paris (Ricardo Cortez) to kidnap her. Meanwhile, poor King Menelaus (Lewis Stone), Helen's husband, stands by in stoic silence, just as he's done on previous occasions when his wife succumbed to the charms of various sexy suitors (one of whom is played by future cowboy star "Wild Bill" Elliot). Finally galvanized into action, Menelaus reclaims his bride, who seems none the worse for wear for her experiences.

While running away from his girl's father, Harold's car breaks down in front of a dance hall run by crooks. Harold has to not only stay one step ahead of the girl's father, but also those trying to rob them of everything they have.

Albert Gran and E.J. Ratcliffe are warring San Francisco shipping magnates; Mary Brian is Gran’s daughter and Charles (Buddy) Rogers is Ratcliffe’s athletic son. The result is a swift, exhilarating comedy, full of laughs and a nonchalant charm.

A young man goes out to eat breakfast with his friend. As a restaurant "regular" with a pistol threatens to eat everyone's bacon, the two friends flee.