The Midnight Parasites(1972)

An animated short about the 75 years of Superman.

A mother and son are eating sushi at a conveyer belt sushi bar in Tokyo. This film depicts their conversation using cutout animation.

Dog racing is used as a metaphor for the futility of human existence.

A man is being haunted by a masked stranger. The only language used in the movie comes from three (inter) title cards and a few sentences of sermon-like talk in Danish. Some of the talk is modified citations from the bible and similar sources.

A middle aged woman is desperately wondering in the streets looking for her daughter. A man finds her before she does.

An ant colony finds that the strange new food source they've discovered may be something more of a curse than a boon.

"Tarantella" was an early Super 8 short film directed by Christopher Nolan with his childhood friend Roko Belic. It was made in 1989 while Nolan was studying at University College London. The film aired on "Image Union," a PBS programme in Chicago. It is about the suffering of a young man while he has nightmare about spiders and demons.

A surreal trip into the world of an extremely long german word.

A psychological thriller Dead Name follows Nia, a retired hit woman, who is brought back into the game by her criminal family for one last job. To take out her brother Ian to stop a war breaking out. As she searches for Ian things get more complicated leading Nia down a path of twisted nightmares and uncomfortable truths that will reshape her reality forever.

A doctor must remove a parasite infestation from within a patient's breast.

One of the two earliest horror films ever made. This film is presumed lost.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.