Ty-Peupe(1971)

Viva El Vedado presents the history of the Havana neighborhood of El Vedado from the last quarter of the 19th century through the Cuban Revolution and highlights its varied and outstanding architecture. Known as a cultural center of Havana, Vedado is particularly notable for its unique collection of Cuban architecture of the 20th century. The film’s goal is to introduce its audiences to the neighborhood’s remarkable architecture, its vibrant life, and the need for preserving Vedado as part of Havana’s heritage. It is a glimpse beyond tourist fantasies and stereotypes, a rare view of one of Havana’s most important neighborhoods.

Ambitious overachiever Hanna just needs one more kid before her life is perfect. Instead, her baby daddy unexpectedly dumps her. Suddenly, she finds herself without a place to live, job or family. With every fiber of her being set for victory, Hanna refuses to give up and decides to win him back. But to get there means having to win something much more important, love and desire for herself and who she is.

Eva’s being allowed to leave the psychiatric institution she’s lived in for six years. After a long year of waiting, the news arrive: an assisted living residence is found for her. Eva takes the first steps towards the "normal" life she longs for: to find a job, earn an income of her own, visit her mother... even find love. While she’s taking stock of her past and works on her self-confidence as well as her trust in the outside world, she also fixes firmly on her main goal: to reconnect with the son she lost custody of 20 years ago and ask him to forgive her. The First Woman is a film about second chances, the search for "normality" and the borderline between lucidity and darkness.

1492: Conquest of Paradise depicts Christopher Columbus’ discovery of The New World and his effect on the indigenous people.

In Bettina Büttner’s exquisitely lucid documentary Kinder (Kids), childhood dysfunction, loneliness, and pent-up emotion run wild at an all-boys group home in southern Germany. The children interned here include ten-year-olds Marvin and Tommy. Marvin, fiddling with a mini plastic Lego sword, explains matter-of-factly to the camera, “This is a knife. You use it to cut stomachs open.” Dennis, who is even younger, is seen in a hysteric fit, mimicking some pornographic scene. Boys will be boys, but innocence is disproportionately spare here. Choosing not to dwell on the harsh specifics, Büttner reveals the disconcerting manner in which traumatic episodes can manifest themselves in the mundane — a game of Lego, Hide and Seek, or Truth or Dare. Filmed in lapidary black-and-white, Büttner’s fascinating film sheds light on childhood from the boys’ characteristically disadvantaged perspective — one not yet fully cognizant — leaving much ethically to ponder over.

Dorothy Reid -- who before her marriage to ill-fated screen idol Wallace Reid was better known as Dorothy Davenport -- was both producer and star of Satin Woman. After the death of her husband from drug abuse in 1923, Davenport dedicated herself to helping others avoid the pitfalls of modern life by turning out a series of cautionary film fables. In Satin Woman, she endeavored to warn society women not to neglect their families for the sake of fads, foibles, and handsome younger men.

The stories of a group of Latina migrant mothers whose kids have been taken away by an unfair system in Italy.

The story of young Afghan girls learning to read, write and skateboard in Kabul.

Through this documentary, Emmanuelle Béart aims to uncover the truth about incest. The actress, accompanied by director Anastasia Mikova, breaks her silence and confronts her reality with that of others, shedding light on a taboo subject.

In an increasingly oppressive modern age, the characters of this film are subject to the alienation and meanness that characterizes today’s days.

The trembling starts in his neck when Markus gets closer to the images that have chased him for 49 years. Now he steers his motor home south, as far away from his past as possible.

Michael Moore comes home to the issue he's been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world).