The Tsunami and the Cherry Blossom(2011)

Pulitzer Prize-winning conflict photojournalist Lynsey Addario reflects on a career working in some of the world's most dangerous war zones, including the Russian invasion of Ukraine.

Rhoma Acans is a journey of self-discovery undertaken by the director in order to understand the true identity weight of her Gypsy heritage, from the history of his own family to the way it moves away or approaches the story of a young gypsy inside the tradition – Her name is Joaquina.

Based on the acclaimed memoir by renowned guitarist Andy Summers, Can’t Stand Losing You: Surviving The Police follows Summers’ journey from his early days in the psychedelic ‘60s music scene, when he played with The Animals, to chance encounters with drummer Stewart Copeland and bassist Sting, which led to the formation of a new wave trio, The Police. The band’s phenomenal rise and its highly publicized dissolution at the height of their fame in the early ’80s captured by Summers’ camera. Utilizing rare archival footage, Summers’ photos, and insights from the guitarist’s side of the stage, Can’t Stand Losing You brings together past and present as the band members prepare to reunite for the first time in two decades later for a global reunion tour in 2007.

Actuality film of miners entering a mine.

A Girl and A Gun shows the female perspective on an object whose history is deeply bound to men and masculinity. The classic Hollywood portrayals of pistol packin' mamas, tomboy sharp shooters, sexually twisted femme fatales, and high-heeled, cold-blooded assassins are caricatures. In truth, the typical woman who hangs out at rifle ranges and keeps ammo in her purse is the girl-next-door, the single mom, a hard working sister or aunt. Maybe she's a realist or has learned tough lessons from life; either way, she cares about her personal safety and may even find salvation, comfort or something satisfying in possessing a gun. In a word, she is empowered. Breaking through the caricatures, A Girl and a Gun reveals America's diverse and far-ranging female gun community. It depicts how this community is portrayed by the media and targeted by the gun industry; and shows, through personal stories, how guns change women's lives.

An aging Irish businessman, an aspiring Australian actress, a retired American baseball player and a widowed British bodyguard attempt to complete the four most difficult ultra marathon races on Earth-- a goal previously only attempted by professional athletes. The four races bring them to the world's most picturesque and brutal deserts in Chile, China, Egypt and Antarctica, where they will push their bodies, minds and spirits to their limits. Desert Runners chronicles the intense, year-long journey of these dedicated runners and the many obstacles that they face - both expected and unexpected,external and internal - and provides an intimate view into the complex ways human beings deal with heartbreak and triumph.

Métis filmmaker Christine Welsh puts a human face on a national tragedy: the murders and disappearances of an estimated 500 Aboriginal women in Canada over the past 30 years. Explores the deep historical, social, and economic factors that contribute to this epidemic of violence against Native women.

Writer and filmmaker Assia Djebar explores Algerian history, the psychological impact of war, and post-colonial female identity in this 1979 classic of film literature. Named for (and taking its structure from) a traditional song with five distinct movements, the film combines documentary-style observation with loose narrative form to tell the story of Lila, an Algerian expatriate returning to her country 15 years after independence has been won. In comparing her life with the lives and experiences of rural Algeriennes, Lila is able to put her childhood demons to rest and discover a new history -- one written in the ongoing strength of generations of women. Like much of Djebar's writing, the film has a strong subtext dealing with resistance to patriarchy and women's desire to appropriate the means of power and expression -- one of which, of course, is the filmmaker's camera.

An age-obsessed daughter of a plastic surgeon takes a journey through America's $60 Billion a year anti-aging world. In this Alice-in Wonderland tale, McCabe spends 2 years traveling across America visiting doctors, experts and lives with a cross-section of characters from Minnesota to Texas who've gone to varying lengths to "beat the clock", to paint a funny but troubling portrait of a country that desperately needs to stay young.

In 1986, Ross McElwee (Sherman's March) and Marilyn Levine were making a film about the 25th anniversary of the Berlin Wall, when the imposing structure was still very much intact as the world’s most visible symbol of hardline Communism and Cold War lore. They thought they were making a documentary on the community of tourists, soldiers, and West Berliners who lived in the seemingly eternal presence of the graffiti emblazoned eyesore. But in 1989, as the original film neared completion, the Wall came down, and McElwee and Levine returned to Berlin, this time to capture the radically different atmosphere of the reunified city.

Eight hundred German filmmakers (cast and crew) fled the Nazis in the 1930s. The film uses voice-overs, archival footage, and film clips to examine Berlin's vital filmmaking in the 1920s; then it follows a producer, directors, composers, editors, writers, and actors to Hollywood: some succeeded and many found no work. Among those profiled are Erich Pommer, Joseph May, Ernst Lubitsch, Fritz Lang, Billy Wilder, and Peter Lorre. Once in Hollywood, these exiles helped each other, housed new arrivals, and raised money so others could escape. Some worked on anti-Nazi films, like Casablanca. The themes and lighting of German Expressionism gave rise in Hollywood to film noir.

The ostensible subject of this film is the growing, drying, peeling and packaging of persimmons in the tiny Japanese village of Kaminoyama. The inhabitants explain that it is the perfect combination of earth, wind and rain that makes their village’s persimmons superior to those grown anywhere else, including the village just a few miles away. The film’s larger subject, however, is the disappearance of Japan’s traditional culture, the end of a centuries-old way of life.